On a brisk cold fall night, walking down the brick paved streets that make up Main Street, you can hear the Elk River flowing. This leads me to imagine what it would be like to live in Sutton when it was the most productive and the town was thriving. I can imagine our little town bustling with the sound of horse hooves hitting the brick, industry, and people. The very people who created the foundation of what I call home, Sutton West Virginia. The rich history and events that took place in this small community are much more than a recollection, but a story that begins with the very bricks I stand on. 

Sutton was first settled in 1792 by Adam O’ Brien and is the geographical center of the state, only to be burned to the ground nearly 50 years later. The fire left destruction and only six buildings with structure intact. Rebuilding almost from scratch, Sutton remained a small county seat until the timber industry developed and Sutton became a commercial center. Throughout the years Sutton has been home to many businesses. The store fronts thrived with businesses such as pharmacies, restaurants, retail shops, banks and even motels. 

Among some of the first settlers to Sutton were the Carpenters. Jeremiah and Benjamin Carpenter settled in Sutton and shortly after were killed by American Indians. To this day and many generations later the Carpenter family still reside in Sutton and have owned the motel that resides in the historic district. ​

​Briar Williams served as a Preserve WV AmeriCorps member for the Sutton Community Development Corporation during the 2020-2021 program year.

Briar Williams served as a Preserve WV AmeriCorps member for the Sutton Community Development Corporation during the 2020-2021 program year.

During the past year, I made several trips to Ronceverte to help organize the city museum at its new location on the second floor of the Clifford Recreation and Community Center, following the sudden passing of Doug Hinton, the long-time curator of the museum. My primary objective was to inspect more than 50 boxes of artifacts and documents and prepare a computerized catalogue of the contents, which I completed.
 
In a random box, I discovered an incredible, priceless piece of West Virginia history: a 1796 land deed from the Governor of the Commonwealth of Virginia to Alexander Robison of Greenbrier County! It was folded firmly and stored in an envelope for many years, and I refused to harm a 200+ year old document by attempting to unfold it. Instead, I found a donor and researched a firm that could safely unfold, flatten, and frame the deed. I found a professional artifact restoration firm in Ohio, Old World Restorations in Cincinnati. They did an amazing job of safely unfolding the deed document, flattening it, and framing it in archival glass. I was proud to hand-deliver the framed deed to Mayor Smith in Ronceverte in April 2021.
 
I discovered many other gems in the Ronceverte Museum’s collection. Highlights from the 50+ boxes include the following:

1. 3 body tags with wire attached with notes from coroner; two have no date, but one is marked 'found May 23, 1963.' 
 
2. 1880 Two small original photographs of West Virginia native Pearl S. Buck's parents Reverend Absalom Sydenstricker and Mrs. Caroline Stulting Sydenstricker in 1880.
 
3. "Good for 5 cent" tokens, five total. Rare. Often called trade coins, they were especially used after the Civil War as a substitute medium of exchange instead of nickels; they had limited use and were often issued by a private company, group, association or individual.
 
4. 1890s-1902, Set of funeral home or cemetery plot records in delicate, damaged condition. Interesting look into what people died of in Ronceverte in the late 19th and early 20th century. One page has a record of a black man who was killed, but he was not given the dignity of his name, age, date of death and location like the white West Virginians on the other pages..
 
5. 1881-1889, book of State of West Virginia court judgements. If you take the time to read the handwriting, it has an interesting look into what was brought to court in late 19th century West Virginia.
 
6. 1885-1887, three autograph books; two of Nellie Longfellow, one of Laura Forgelson. Very cute entries from school friends and family members.
 
7. Some kind of Ronceverte athletic uniform from the 1950s-1970s of a top and shorts, jockstrap included!
 
8. White folder with material relating to petitioning Colonel Clifford of Ronceverte for the Medal of Honor. He served with distinction in World War II and the community center housing the Ronceverte museum is named after him. It is worth noting because not many people know about what goes into the process of petitioning for a Medal of Honor.
 
9. Register of Hotel Dickson, Ronceverte 1888, including a signature of President Glover Cleveland with a cute notation “and Mrs. C” from October 11th, 1888!
 
During my final visit to Ronceverte at the end of my AmeriCorps term, I cleaned all the exhibit cabinets, window wells, and floor. I compiled all my work and ideas for the future of the museum into a Final Report, which I presented to Ronceverte City Administrator Pam Mentz. The report includes suggestions on how the city can engage the local schools and further preserve their collection. The Ronceverte Museum has great potential, and the Final Report for the next AmeriCorps member assigned to Ronceverte will help them build off of my service.
 
            It was my sincere pleasure to work with the city of Ronceverte and discover the jewels contained in its museum.  

​The Monroe County Historical Society was awarded a grant from the West Virginia Humanities Council for the creation and installation of interpretive signs for the two historic church buildings owned by the society in Union.  Both buildings have undergone extensive repairs over the past two decades.  Ames Clair Hall, formerly the Ames Methodist Episcopal Church, is available for use as a performance and meeting space.  The First Baptist Church building still requires extensive repairs before it can opened to the public.
 
Both of these churches were originally built for the white congregations and after the Civil War were purchased by the African-American members of the congregation.  One man, James Clair, and his descendants were instrumental to the formation and success of both the Baptist and Methodist congregations and these churches.  James Clair was baptized into membership at the First Baptist Church in Union in 1868.  His family remained active in the community.  His son, James Clair Jr. was also baptized into the First Baptist Church.   His grandson, Matthew Clair, became one of the first two African-American bishops of the Methodist Church.
 
The slave James Clair was born in 1810 and was purchased in Richmond Virginia by the owners of the Salt Sulphur Springs resort to work at this resort in Monroe County.  While the owners of the resort rode horses back to Monroe County, the slaves had to walk about two hundred miles to the “Salt”.  Mrs. Kate Clair, a daughter-in-law, relates that the slaves were guided on their journey by forked sticks placed at the forks in the road to indicate which way their owners had taken.
 
Generations of church members have worshipped in these two historic churches.  Both buildings were deeded to the Historical Society after membership declined.
 
Justine Nall, of Union, got the project started.  Her father, Russell Newsome played the organ for services when Ames Clair Hall was the Ames Memorial Methodist Church.  Marilyn Adamson provided information about the First Baptist Church where she, her great-grandmother, grandmother, and parents worshipped.  
 
Photos show the interpretive signs installed.  The signs will help expand the knowledge of the buildings and the importance of the church community on the wider community for the people of Monroe County and surrounding areas.  This project received financial assistance from the West Virginia Humanities Council, a state affiliate of the National Endowment for the Humanities.  Any views, findings, conclusions, or recommendations do not necessarily represent those of the West Virginia Humanities Council or the National Endowment for the Humanities.  

Hillsboro, WV, is a small town that packs a big historical punch. It’s home to the Pearl S. Buck House, Watoga State Park, and another lesser known gem – the Pleasant Green Methodist Episcopal Church. This historic African American church is so modest and unassuming that most passersby probably barely even realize that it’s there, but I’ve been fortunate enough to learn its heartwarming history and assist in its restoration during my time as an AmeriCorps Member here in West Virginia.

I was first introduced to Pleasant Green in October 2019 while serving with the Appalachian Forest National Heritage Area’s Hands On Preservation Team. It was the first month of our service term and my first time doing official preservation work in the field, so I knew almost nothing about what I was doing and even less about the site itself. We were greeted by Ruth Taylor, Secretary of the Pocahontas County Historic Landmarks Commission and the church’s next-door neighbor, who told us all about Pleasant Green’s history.
Built in 1888, the site was specifically designated at the time of sale for use as a church and school for the growing number of black families in and around Hillsboro. Pleasant Green was a branch of the African Methodist Episcopal (A.M.E.) Church, an African American-based denomination founded in Philadelphia in the late 1700s that grew popular throughout West Virginia following the Civil War. The congregation built and maintained the structure themselves with any materials they could scrape together, making Pleasant Green a true testament to people doing the best they could with what they had.

The church remained a cornerstone for the local black community all the way up through the 1970s, acting as a place of social gathering and of education as well as one of worship. The adjacent cemetery became the final resting place for most of the congregation as well, with approximately 50 marked graves and many more unmarked ones suspected. Two of the people buried there were not just beloved community members but notable historical figures: “Miz Eddy” Washington, a well-known cook at Watoga State Park and former employee of the family of WV Governor Wallace Barron, and Gordon Scott, the first African American to become Superintendent of a WV State Park.

Over the years, as families moved and the once-thriving congregation dwindled away, the church unfortunately fell into disrepair. On top of the chipped paint, rotting wood, pest damage, and other woes that typically plague old buildings, a fierce hailstorm in 2016 broke the glass in almost every one of the windows. The hail damage was especially disheartening, as it left the interior extremely vulnerable and destroyed multiple panes of rippled, amber-tinted “rootbeer glass” – a simple but beautiful decorative element that would have been very costly for the congregation and a point of pride on the otherwise unadorned structure.
Luckily, Ruth was able to have the Hands On Team come in to repair and reglaze the historic wooden window sashes (saving and reusing all the surviving rootbeer glass in the process). At that time, however, the team and I were not able to carry out some additional work that we realized needed to be done to the windowsills. So, when I finished that service year and began my current one with the Preservation Alliance of West Virginia, I already had a plan in place to return to Hillsboro for my upcoming civic service project.

There are four large windows on the body of the church and two very small windows on either side of a vestibule that was added to the front façade at a later date. Because the larger windows were paired with equally large sills cut from single pieces of old growth hardwood, those four sills all remained in relatively good condition. These simply needed to be scraped, treated with consolidant to reharden the “punky” (or softened) wood, and repainted. The sills for the smaller windows, on the other hand, were much worse. The vestibule was a poorly constructed addition using lower quality materials and has not aged well as a result. Nearly one third of each of these two sills had completely rotted away, making a full replacement necessary for both. Fortunately, these sills were only 1-inch thick boards inserted very simply into the overall frame, so replacing them wouldn’t be very difficult (I hoped).

After visiting the church to make this assessment in Fall of 2020, Ruth and I planned for me to come back and complete the project in conjunction with a cemetery cleanup event to be held on Earth Day of 2021. I then spent the rest of the Winter being anxious and concerned that I might have committed to a project too big for one novice preservationist to successfully complete solo (since, as anyone who has ever worked on an old building can tell you, you never know what you’re going to find when you start poking around and even the simplest-seeming projects can quickly turn more complicated). Thankfully, Ruth helped put my mind at ease by reminding me that Pleasant Green has always been what she lovingly calls a “patchwork church” – it’s not all perfect, and it doesn’t all match, but everybody doing their small part to keep it stitched together over the years is what the true spirit of this place is all about.
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So, with that reassurance in mind, I returned to Hillsboro this past April and got to work. Everything miraculously went according to plan, and I was even lucky enough to be joined by another volunteer who was a master carpenter and could help me make the cuts on the new replacement sills. As I worked on the sills, other folks cleared away the overgrown brush from the cemetery or cleaned up the inside of the church to turn it into a community space once again. At the end of the day, as I stood back and looked around at all the progress that had been made, I couldn’t help but remember how the site looked when I first arrived to work on the windows two years before. The church’s restoration and continuing survival is truly a product of 130 years of collaboration and faith, and I’m so proud to have been a part of it.